Photo: Mazur / Wireimage
Just before the final song of Yoko Ono’s first performance in four decades with founding members of the Plastic Ono Band, at the Brooklyn Academy of Music on February 16th, her son Sean told a short story: At soundcheck that day, Sean remarked to guitarist Eric Clapton that he had never played slide guitar before and wanted to know how Eric and Sean’s father, John, played slide on the early, chaotic Plastic Ono Band records. Clapton replied that, at the time, he had no idea what he was doing.
Yoko turned to the BAM crowd with a coquettish grin. “I knew what I was doing,” she cracked. Then she leaped into the white-noise boogie of “Don’t Worry, Kyoko” from 1969’s Live Peace in Toronto with rusted shrieks and air-raid-siren whoops as Sean and Clapton played twin grinding slide guitars over a steady thundering rhythm section: original Plastic Ono bassist Klaus Voorman and drummer Jim Keltner, who played on John and Ono’s 1972 album Sometime in New York City.
Check out photos from the Plastic Ono Band show.
Coming two days before her 77th birthday, “We Are Plastic Ono Band” was a two-set revue of Ono’s musical life, with the first half focused on her new album, Between My Head and the Sky. The second part featured friends and disciples performing songs from her previous records, as far apart in temper and touch as “Mulberry” – a wordless memoir of Ono’s World War II childhood in Japan, in raw ecstatic yelps to the free-guitar discord of Sonic Youth’s Thurston Moore and Kim Gordon – to Bette Midler’s canny rearrangement of “Yes I’m Your Angel” from Double Fantasy into a saucy sister of “Makin’ Whoopee.” You could almost hear the clinking of martini glasses amid the brass and penthouse-part...
Article Source: Rolling Stone : Rock and Roll Daily